Emma has conducted instrumental ensembles of professional players, amateur adults and young people in orchestral classical music, folk, jazz and musical theatre. Emma is a multi-instrumentalist and draws upon her knowledge of many instruments to engage and support musicians in their ensemble playing. She uses careful repertoire selection and skills in arranging music to create oppportunities for young and amateur players to experience the very best orchestral music in the most authentic way possible. She has composed and arranged music for bespoke instrumental ensembles, is equally at home playing from notation and by ear and moves between the two fluidly in her musical leadership, encouraging players develop their own musical flexibility. She has inspired many people to learn new instruments, and others to stick to theirs. Her enthusiasm for music-making has been described (a few times now) as infectious!
‘The energy and communications skills of your conductor Emma Oliver-Trend were stunning to watch’
Harlow Symphony Orchestra, Principal Guest Conductor
Overture ‘Fair Melusine’ – Mendelssohn, Cello Concerto (soloist: Jamal Aliyev)- Schumann, Symphony No.7 – Beethoven (2/12/18 The Arc, Old Harlow)
Oberon Overture – Weber, Piano Concerto – Grieg (Soloist: Chenin Li), Symphony No.1 – Brahms (24/6/18 St John’s Church, Epping)
Coriolan Overture – Beethoven, Piano Concerto No. 5 ‘The Emperor’ (Soloist: Tim Carey)- Beethoven, Pavane – Faure, Symphony No.2 in A minor – Saint Saens (11/3/18 The Arc, Old Harlow)
‘Her attention to detail, and determination to achieve the best possible interpretation and delivery of every piece we have played with her, have impressed us all’.
Orchestras for All, Artistic Associate
Emma is currently part of the conducting team at Orchestras for All – a youth music charity which has at its core a 100-piece inclusive, national orchestra of teenagers: the National Orchestra for All. Emma also conducts some of the Modulo events, which bring together young players from different schools across the country in a day of massed-orchestral music-making.’
Emma has most recently conducted the National Orchestra for All in their Spring Course at the Birmingham Conservatoire, a programme that included the world premiere of Orchestra of Overheard Conversations with musical ideas created by the young people in workshops led by Fraser Trainer which were then weaved into a final piece by composer Danyal Dhondy and poet Kit Finnie.
‘watching you work was a masterclass in leadership and kindness’
NOFA Repertoire including
Orchestra of Overheard Conversations (World Premiere 2019) – Danyal Dhondy and Kit Finnie, after NOFA members and Fraser Trainer. Bradshaw Hall, Royal Birmingham Conservatoire
NightMail End Sequence – Benjamin Britten, arr. E. Oliver-Trend, (Performed in Great Hall, University of Leeds)
NightMail 2 (World Premiere 2018 Great Hall, University of Leeds), Jack McNeill,
Fanfare for the Common Man, Open Prairie, Hoedown, Simple Gifts, by Copland arr. E Oliver-Trend. (Performed in O2 Arena, Leeds)
Triptych by Nathan Theodoulou, Danyal Dhondy and Jade McCarthy (World Premiere 2016 O2 Arena, Leeds)
Conductors for Change – Conducting training for music leaders
Emma also leads training in conducting and inclusive ensemble leadership as part of the Conductors for Change programme of Orchestras for All. Conductors for Change supports music leaders and music teachers who work with young people or amateur musicians in their orchestral ensemble leadership. Emma was the lead creator of a new online learning programme in ensemble leadership which is soon to be launched by Orchestras for All.
Ware Community Orchestra, Founder & Music Director
Emma is the founder and music director of the Ware Community Orchestra. In March 2017, Emma set up a one-off orchestral music-making day; the Ware Pop-Up Orchestra. This day aimed to give rusty players the chance the dust of their instruments and get back into playing by being part of an orchestra just for a day. The event attracted 36 musicians ranging in age from 8 – 80 and appeared to be very much enjoyed! At the end of the rehearsal, talk turned to ‘shall we do this again?’ and so Emma set the dates for the Ware Community Orchestra to meet. We agreed that Sunday afternoons were best, and monthly was good, and so that’s what the WCO do! Emma is the conductor and arranges the music so that the orchestra is inclusive to all abilities. Find out more here.
‘There was such an amazing energy in the group and it was lovely to play again, especially in such a welcoming environment – Thank you for your warm welcome and excellent coaching – I loved the way you led the rehearsal – I’d also be happy to donate to your prosecco fund. Definitely well worth it!!
Bishop’s Stortford Youth Orchestra and String Ensembles
Until recently, Emma was the conductor of the Bishop’s Stortford Youth Orchestra and string ensembles run by the Hertfordshire Music Service.
‘we were impressed how you inspired the string groups’
Night on a Bare Mountain – Mussorgsky
Jupiter and Mars from The Planet Suite – Holst
Dance Macabre – Saint-Saens
Rumanian Folk Dances – Bartok
St Paul’s Suite – Holst
Capriol Suite – Warlock
Divertimento in D major – Mozart
Fanfare for a Common Man – Copland arr. E Oliver-Trend
Bishop’s Stortford Sinfonia Chamber Ensemble, Conductor
A day of workshops and performances with students from Birchwood High school and a chamber ensemble from the Bishop’s Stortford Sinfonia. The day focused on Peter and the Wolf and included a chamber performance of Prokofiev’s work as well as orchestral side-by-side workshops and a performance by the young players at the end.
Other Orchestral Repertoire, other ensembles
Ravel; Bolero, Stravinsky; Sinfonia from Pulcinella Suite, Prokofiev Peter and the Wolf; Beethoven Egmont Overture; Grieg Peer Gynt Suite; Malcolm Arnold Little Suite Number 1 for orchestra; Haydn Symphony 103, The Drum Roll, Copland, John Henry, Holst St Paul’s Suite (for string orchestra)
The Wizard of Oz, Cabaret, Oliver, Fiddler on the Roof, Bugsy Malone, Into the Woods, Billy Elliot, How to Fail at Being Perfect (new commission composed by Emma Oliver-Trend and Nele Van Der Broeck)
‘An amazing conductor for orchestra – Thank you for bringing real orchestra back – You’ve inspired so many people – Best conductor ever! – A fantastic concert!! Very high quality music-and the hall was full’
Twinning Concert, Le Perreux, Paris (March 2015)
Three instrumental ensembles of young people from three towns; Sawbridgeworth in England, Bry Sur Marne (France) and Moosberg (Germany) came together for a weekend of music-making as a large orchestra of 100, culminating in a grand concert to an audience of over 500 in the theatre in Le Perreux, Paris. The young groups from England and Germany provided brass, wind and percussion alongside the formidable Violons De Bry in a programme of classical music that included Tchaikovksy, Ravel, Mozart and Elgar.
Emma is a vibrant and vigorous folk ensemble director with a commitment to creating highly charged and energetic arrangements of folk tunes that are full of funk, soul and bubbles! Emma has very quickly engaged lots of students into her folk bands which mostly feature rollicking fiddle tunes with stabby brass, scanking guitars and breakbeat drums. Ensembles are rich with student-leadership with young musicians teaching each other by ear and developing their own parts in the arrangements. Students are encouraged to improvise and stretch their musical ability through experimenting. Repertoire is learnt by ear, and includes new arrangements of East European gypsy tunes, Klezmer, Russian Dance tunes, British Isles jigs, reels and hornpipes. Please contact Emma to hear examples of the folk bands that she has led.
Comments from folk band participants and audiences: You inspired me to take music seriously – It’s wonderful to hear the energy – – Thank you for all your enthusiasm. It has really brought my interest in music back – Your enthusiasm is definitely contagious – We will miss your everlasting energy and fun spirit.
Emma is an energetic and imaginative music animateur. Through teaching, workshops and projects, she has developed a range of ways to bring music alive for others. She has planned and led creative music workshops and projects, collaborating with drama, dance, film and visual artists. Emma plans for full participation and engagement, has experience of creating music and performance with diverse community groups including young people and adults and has good quality music-making at the heart of all her work.
A NEWLY-COMPOSED SONG CYCLE ABOUT THE JURASSIC COAST, PERFORMED ON THE SEAFRONT EVERY YEAR DURING SIDMOUTH FOLK WEEK
Composer and Animateur
Sidrocks is a community singing and playing project devised and led by Emma and geologist, Dr Roger Trend on behalf of the Sidmouth Museum. A song-cycle composed by Emma about the geology of the Jurassic coast, as seen at various points along the Sidmouth coastline. In its third year, the event in 2015 attracted 80 participants aged 1- 70+ in the geology walk with 40 singing and playing instruments.
Danny – Catalyst Schools Consortium Opera Project
STUDENTS FROM THREE SECONDARY SCHOOLS JOIN TO CREATE A BRAND NEW OPERA
Workshop and Project Leader
A devising project for 24 students aged 12-18 from three secondary schools in Hertfordshire, who worked together over Spring and Summer 2015 to create a brand new opera from scratch. Students assumed all the company roles and the opera created was a site specific promenade piece telling the story of Danny, the new boy in school. The piece included a series of newly-written songs accompanied by a 5 piece student band. The libretto was entirely sung. This project was based on the ROH Write an Opera programme and was delivered in partnership with Royal Opera House Bridge and the Catalyst Schools Consortium.
Matheison Music School, Kolkata, exchange programme
PERFORMING ARTS STUDENT EXCHANGE BETWEEN SCHOOLS IN DEVON AND INDIA
Workshop and Exchange Programme Leader
A week-long performing arts residency based on Hamlet in a small school in rural Kolkata with 65 residential pupils and students and teachers from KEVICC Secondary school in February 2011. The exchange also included a visit to Devon by students and staff from Matheison, and a collaborative performance was devised including musicians and dancers from both schools.
Read more about the exchange project with the Matheison Music School
Shakespeare Schools Festival
STUDENTS COMPOSE BRAND NEW MUSIC FOR STAGED SHAKESPEARE PLAYS
Composition workshop leader 2013, 2015
A small ensemble of Year 10-12 students compose new music, for 30-minute performances of Shakespeare plays; Midsummer Night’s Dream (2015), The Tempest (2013) performed as part of SSF. Students have used Baroque music as a starting point for some elements of their work, but have also composed music entirely from scratch, using leitmotif and improvisatory soundscape to help create atmosphere and tell the story.
MacMillan Live! Tour
ORCHESTRA OF WELSH NATIONAL OPERA
CONDUCTED BY JAMES MACMILLAN
Producer, live film director and Teachers’ Pack author
A contemporary music secondary schools project devised and produced by Emma working with composers James MacMillan and Lynne Plowman to devise creative composition workshops in secondary schools preparing young people for the tour of performances in venues across Wales in 2006. As part of the performance Emma directed a multi-camera live feed film onto a large projection screen behind the orchestra, providing the audience with a deeper insight into the role of the conductor (MacMillan) and the professional instrumentalists of the orchestra of WNO. The programme included two of MacMillan’s most celebrated works for orchestra; The Confession of Isobel Gowdie and Britania. Emma also wrote the Teacher’s Support Pack with many chapters to help teachers and students to explore and extend their understanding of the music including a breakdown of the specific orchestra used, a detailed analysis of the repertoire with listening signposts, classroom and independent learning tasks and extended 20th Century listening ideas.
Through Listening Eyes
AN OPERA ON FILM BY RICHARD AYLWIN AND RICHARD CHEW
Producer and Workshop Leader/Musician
The creation of an opera on film, performed by adults and young people with profound and multiple learning difficulties and their carers in 5 special schools and centres across Cardiff. This project had many objectives, and had the work of The Touch Trust, resident in Wales Millennium Centre at its very heart. Other collaborators included Diversions Dance, Hijinx Theatre, The Urdd, and the WMC. Bringing together all of its founding residents, Through Listening Eyes was premiered as the very first performance on the open day of the Wales Millennium Centre, 2004 and also won first prize in Canada’s International Disability Film Festival.
Multi-instrument class bands
With performance skills in strings, woodwind, brass and percussion, Emma confidently leads multi-instrument groups within classroom settings, where students learn a range of instruments in small groups, including violin, viola, cello, trumpet, tenor horn, flute, clarinet, saxophone, recorder and xylophone within one class. This is a teaching strategy and programme that Emma has been developing over the past few years, building upon the Wider Opps and First Access experiences that students often receive in primary school, and she has created numerous class orchestras with students who have only learnt their instruments in the classroom. Emma has composed her own bespoke music to support this style of learning, composing specifically differentiated parts for each instrument group and individual students. Please contact Emma for examples of her bespoke compositions for the classroom and a copy of the programme outline.